We’d all like to forget the bombs but they’re here to remind us of something important — the problems can almost always be found in the script. It’s easy to blame a bomb on the acting ‘talent’ of Ashton Kutcher or the further contributions to the art of cinema of director Paul W.S. Anderson, but sometimes the horror is in the shooting script or even the original spec. Maybe the screenwriter was to blame, or maybe it was the producer that didn’t recognize the obvious structural issues or the director who only cared about their paycheck, but the point is: the script sucked and there was no way this movie was going to work.
Last summer, I led a reader training course in which we read several scripts that were in development or production in Hollywood. Since then, a few of those movies have been released and I can’t help but say: we saw it comin’!
Wes Craven, the horror legend behind A Nightmare on Elm Street and Scream, recently roared back to the big screen with a big ol’ thud when he delivered unto us My Soul to Take, which was based on his original screenplay named 25/8 (a.k.a. Bug. Note: When a movie goes through three titles, it’s probably not a good sign.).