Story Maps Book
“There is a lot of great advice here… Most important, as I
read Calvisi’s Story Maps, I was inspired to rethink
my current project. And that’s what it’s all about, right?”
-SCRIPT MAGAZINE
Learn the secrets to writing a GREAT screenplay from a major Hollywood movie studio Story Analyst who will show you how to BLOW AWAY THE READER! Master the structure and principles used by 95% of commercial movies by studying detailed breakdowns, or “Story Maps,” of several recent hit movies in all different genres, including The Hangover, The Dark Knight, The Wrestler, Juno, The Social Network, Black Swan, How to Lose a Guy in 10 Days and Drag Me To Hell. It also offers lessons taken from classic films such as Sunset Boulevard, The Godfather, Gladiator and As Good As It Gets, to name just a few of the hundreds of great movies analyzed in the book.
Story Maps: How to Write a GREAT Screenplay cites examples from hundreds of hit films, several television series and includes samples from actual produced screenplays to show you HOW TO DO IT. The book provides detailed lessons on format, capturing voice and tone on the script page and developing great characters with powerful dialogue.
The book also includes exclusive insights from major industry professionals with whom the author has interacted with at events in Los Angeles and New York City, including Robert Zemeckis… the screenwriters of Final Destination, Limitless, Armageddon, Antwone Fisher, Speed, Justified and Blade Runner… Louis C.K…. Elijah Wood… and the President of Production of Columbia Pictures.
You are learning from the pros by studying their work and reading their advice.
This is NOT a formula or just another structure paradigm — it is the view from behind the desk of the people evaluating your screenplay, what they want to read and what they will buy. With all the competition in the Hollywood marketplace, your script can’t just be good, it must be GREAT.
The Appendix of the E-Book includes the following Story Maps:
- The Hangover (Comedy) 2009
- Drag Me To Hell (Horror) 2009
- The Wrestler (Drama) 2008 (Sample here)
- The Dark Knight (Action/Comic Book) 2008
- How to Lose a Guy in 10 Days (Romantic Comedy) 2000
- As Good As It Gets (Dramatic Comedy) 1998
- Sunset Boulevard (Noir Thriller) 1950
“Daniel Calvisi’s Story Maps is readable, insightful and exciting. It focuses on the hard work and narrative strategies the screenwriter needs to adopt to write a commercially viable screenplay, and is up to date and strategic in the clearest way. Dan’s book will help you do what you must do to succeed with your screenplay.”
-Ken Dancyger, best-selling author of Broadcast Writing, Alternative Scriptwriting, The Technique of Film and Video Editing and Writing the Short Film
“Loved it! Should be required reading in every film school.”
-Daniel Fazel, sold screenwriter and VFX Artist (Alice in Wonderland, Benjamin Button, I Robot)
“A brilliant example of what every aspiring screenwriter needs to know about the art of writing screenplays. Dan has a no-nonsense approach to screenplay analysis that cuts through the bull and delivers the goods. A must read for serious screenwriters.”
-J. Stephen Maunder, writer/director (Tiger Claws I, II, III, The Veteran, Shadows in Paradise)
“Writing a great screenplay is not easy. Dan has created a book that is straightforward and full of valuable insight and guidance for screenwriters at different experience levels. This book provides a simple way to approach your idea or rewrite for maximum results…and helpful to evaluate your work in whatever stage it’s at so you can make necessary improvements that will allow your unique story and vision to shine!”
-Laurie Lamson, co-editor Now Write! Screenwriting
BUY PAPERBACK:
Read More:
Testimonials from Readers
Script Magazine Review
Excerpt from the Introduction
Excerpt from Chapter III “The Big Idea”
Excerpt from Chapter VI “The Full Story Map”
Sample Story Map Excerpt: The Wrestler
Sample Story Map Excerpt: Black Swan
Sample Story Map Excerpt: Raiders of the Lost Ark
Sample Story Map Excerpt: Sex and the City movie
Read more about Booster Pack #1
About the Author
(Note: the story maps in the book are text-only; they do not contain images from the movies.)
All rights reserved. No part of this book may be reproduced in any form or by any means without permission in writing from the publisher, except for the inclusion of brief quotations in a review.
STORY MAPS: BOOSTER PACK #1
The Booster Pack breaks down 12 GREAT MOVIES, primarily from the past decade. These hit movies are great examples of professional screenwriting in many different genres and budget levels aimed at varied audiences. I stand by each title as a strong example of its genre and as a primer to learn the screenwriting craft at the level that you need to be: the “submission ready” tier that makes a good script into a GREAT script.
- Juno (Teen Comedy/Drama) 2007
- The Social Network (Biopic) 2010
- Hustle & Flow (Music Drama) 2007
- Raiders of the Lost Ark (Action/Adventure) 1981 (sample here)
- Black Swan (Thriller) 2010 (Sample here)
- Sex and the City (Romantic Comedy) 2008 (Sample here)
- Meet The Parents (Comedy) 2000
- The Matrix (Sci-Fi Action) 1999
- Rain Man (Drama) 1988
- Rocky (Sports Drama) 1977 (Sample here)
- Up (Animated Comedy/Action) 2009
- X-Men (Superhero “Origin Story” Action) 2000
Any book that gives lessons in the skill of blowing the reader away is a book writers need to read. From the Introduction to Dan’s closing, “Good luck and Happy Writing,” Story Maps delivers. Imagine sitting around a coffee shop or a bar and talking one-on-one to a movie-writing, storytelling pro like Dan Calvisi. A no-holds barred, no frills, tell-it-like-it-really-is, no sugar-coating conversation. That’s what reading this book is like.
HIGH-QUALITY PDF:
(note: An Adobe PDF file will open on any computer, Mac or Windows, as well as on most e-readers, such as the iPad and the Kindle. My PDF files feature full color graphics, super-fast bookmark navigation and print-style layouts. You can also print the book from a PDF in high resolution, if you’d like a hard copy. For these reasons, I price the PDFs a bit higher.)
- Buy Story Maps PDF (highest quality) for $14.95:
- Buy Story Maps: Booster Pack #1 PDF (highest quality) for $9.95:
- Buy SPECIAL BUNDLE — Story Maps and Booster Pack #1 PDFs (highest quality) at a discount price $24.90 $19.95 (Includes FREE BONUS STORY MAP emailed to you after the purchase!)
KINDLE:
(note: Kindle versions of both e-books are available for purchase at the links below. If you do not have a Kindle device, you can still read the e-books on your PC, Mac or several other mobile devices using a Free Kindle Reader App.)
iPAD/iPHONE/iPOD TOUCH
(note: Apple’s e-book app, iBooks, works on the iPad, iPhone and iPod Touch but NOT on Mac laptops and desktop computers. Most users agree that a PDF reads best on all Apple devices — if that’s your preference, see the PDF section above. Another option is to use the “Kindle for Mac/PC” app with the Kindle version, using the link above.)
Buy Story Maps from the iTunes Bookstore.
(Note: Booster Pack #1 not available in the iTunes Bookstore at this time.)
BARNES & NOBLE “NOOK”
Purchase Nook version here.
Dan’s Story Maps is by far the most concise method I’ve come across. Although I’ve only had a brief opportunity to work with him once on my first screenplay, I’ve used this method countless times to analyze movies I watch and to develop my screenplays. This method alone, made me understand structure, theme, character arcs and so much more. Not only does he outline the beats and turns in each act, but he gives examples from movies you’ve seen to get an idea of what he’s talking about. He’s also quite generous with his discounts and offers! For any beginner like I was, this is a definite MUST READ.
I’m an aspiring screenwriter and found Story Maps to be a very accessible and informative read. It offers practical advice and guidance in crafting a better screenplay and tools to help your plan out and organize your ideas more coherently and usefully before you start.
As I’m an aspiring writer, not a successful professional, you may be wondering if my comments are really that valid. It’s a fair call, I am in no way especially qualified to assess the quality of such a book. However, I do feel my opinion has some evidence to support it. Like many aspiring writers, I seek and swap feedback from other writers, usually through online screenwriting communities. My most recent screenplay has had an overwhelming positive response in terms of peer feedback. I really have been blown away by how well received my new script has been. It’s the fourth feature I’ve written but the first thing I’ve written using Story Maps to guide me. My own assessment and that of others really makes me feel that I’ve taken a huge leap forward as a writer since my last screenplay. I like to think part of that improvement is from lessons learned from past efforts but I’m sure a lot of it is also due to employing the models and knowledge laid out in Story Maps.
Finally an up-to-date book with a detailed analysis of the most recent styles and movies! I have studied dozens of screenwriting books and I can say without any doubt that Story Maps is definitely within the top 3 of the books that most inspired me.
Alberto Russo
TV Presenter , Journalist and Screenwriter
Probably the most comprehensive study and insight into the art and mechanics of screenplay writing I’ve found. It’s way deeper than Save the Cat and other story mapping techniques I’ve read. I’m currently re-booting my latest script with Dan’s technique. Finally things are flowing and hitting the mark. A must for beginners and pros.
Discovering STORY MAPS inside of Dan’s ACT FOUR SCREEN PLAYS site reminded me of the great scene in ”Raiders of the Lost Ark” when Indiana Jones discovers the Map Room. After much ‘lost in the desert of screenwriting books’ time, I felt as though I had suddenly stumbled upon the ultimate solution for which everyone else is also searching. Upon reading the first few pages I could not help but think to myself, “Whoa…, this is it!” Thanks to STORY MAPS, I know just where I am, where I need to get to -and exactly how to get there. Top-shelf, Dan! Top-shelf.
STORY MAPS comprises EVERYTHING you need to write a GREAT SCREENPLAY, Dan strips away all the fat that you find in many other publications or web-sites. Dan succeeds in taking the reader along an illusive juxtaposition of technicalities with creative freedom.
Metaphorically speaking, Dan is a great Swordsman who knows, like Indiana Jones, how and when just to use a gun instead of fancy martial arts to make a point!
This book breaks down screenwriting into understandable building blocks, and then helps you put it back together so that you too can write a GREAT screenplay. But perhaps more importantly, this books gives you a truthful and honest industry perspective that shines a whole new light on screenwriting. STORY MAPS flips the script and allows you to look at screenwriting from the inside out. And for that, this book is a MUST have.
Great Book! Learning the fundamentals of screenplays becomes much easier with the use of story maps. To say this book is a wealth of knowledge is an understatement!
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Do you have a package to buy Story Maps in paperback and the booster pack?
Hi Michael,
The Booster Pack and Christopher Nolan book are not available as of yet in paperback. Only the first book, Story Maps: How to Write a GREAT Screenplay, is in paperback on Amazon or Barnes & Noble.
But keep in mind that you can print the Hi-Res PDF versions of any of my books that I sell on this site!
Dan Calvisi’s “Story Maps” book is by far one of the most valuable reference tools an aspiring screenwriter can invest in. I have read literally dozens of books published to address the trials and tribulations of writing a coherent script. Syd Field’s works inspired me tremendously. Blake Snyders “Save The Cat” gave me food for thought, but came up short in the realism and readability department. Dan Calvisi’s “Story Maps” is as essential to screenwriting as a Rand McNally roadmap is to cross-country motoring. It’s written in a sharp, sensible style. It’s wrought with “From The Trenches.” It cites credible examples from a thoughtful selection of genres. And once read, it will serve as a standard into which your story idea can be literally poured. In a time when everyone wants to be a Hollywood screenwriter, where script readers are jaded and overburdened by countless submissions lacking style and structure, Dan Calvisi’s “Story Maps” will give the aspiring writer a competitive edge.
Stephen G. McDowell
Former Magazine Writer and Editor
Aspiring Screenwriter
Professional Photographer
Information Technology Consultant