Story Maps: 12 Great Screenplays (a.k.a. “Booster Pack #1″) is now available! The e-book breaks down 12 GREAT MOVIES, primarily from the past decade, into a detailed but easy-to-follow structural analysis known as the Story Map.
Dearest Screenwriters: If you find yourself wanting to give a character a supremely obvious name, please heed my “Mike Teavee is the worst character name ever” Rule, which states as follows:
Roald Dahl can name a character who watches too much television, MIKE TEAVEE, which is pretty much the definition of on the nose, because he’s Roald Dahl. You can’t because you’re not.
p.s. If you would like to receive more life-changing pearls o’ wisdom like the above, then you must redeem your (non-existent) golden ticket for Story Maps: How to Write a GREAT Screenplay.
Dearest screenwriters: If you are thinking of giving two characters very similar names, please heed my “You are not J.R.R. Tolkien” Rule:
J.R.R. Tolkien can name two separate villains SARUMAN and SAURON, which is a horrible idea, only because he’s J.R.R. Tolkien. You can’t because you’re not.
p.s. If you would like to discover more nuggets of wisdom such as this, then you must enter the realm known only as Story Maps: How to Write a GREAT Screenplay.
Black Swan is a tight, merciless thriller that forges one, driving throughline that is supported by every character and element in the story. In order to become the Black Swan and achieve her dream of ballet perfection, Nina must prove to her director Thomas that she can transform herself on stage, fight off her mother’s attempts to stifle her and defeat her rival Lily, all while suffering from the rapid deterioration of her psyche. She loses the battle for her mind but she achieves her artistic dream, dancing a perfect Black Swan, at the ultimate cost of her life.
Raiders of the Lost Ark is a flawless classic and my favorite film of all time. It is the benchmark of the action/adventure genre and features one of the most iconic heroes in cinema history.
In an article titled “The Inside Story,” published in Psychology Today back in March, super producer Peter Guber talks about the psychological, emotional and transformative powers of storytelling and how they apply to the movies — WHY we love movies and what gets us engaged.
Stories… are state-of-the-heart technology – they connect us to others. They provide emotional transportation, moving people to take action on your cause because they can very quickly come to psychologically identify with the characters in a narrative or share an experience…
I couldn’t help but find many points in the article where Guber affirms the very same tenets that I put forth in Story Maps: How to Write a GREAT Screenplay. The quotation above, specifically the wonderful phrase “state of the heart,” immediately made me think of a line from my Introduction (excerpt here): read more
Story Maps: How to Write a GREAT Screenplay E-Book is ready for purchase. Go HERE for excerpts, a sample story map and three options, including a “Booster Pack” with 12 new story maps!
E-Book now available for purchase - Click on image for Limited-Time Offer