Guillermo Del Toro (right) and a friend
Q The first episode in particular is absolutely riveting and I loved it, but can you tell me how you first got involved in this and what drew you to it?
Carlton Cuse I had read the first Strain novel as a fan of both Guillermo’s work, and also independently I knew Chuck Hogan, and so I was very curious to see what this collaboration would look like. And I was just intrigued by the subject matter. I had read the first novel when it came out in 2009 and really enjoyed it, and then basically about two years ago my agent called me up and said that there was some interest in doing The Strain as a television series and would I be interested in it. read more
I am excited to be teaching a screenwriting track at the Catamaran Literary Reader Conference from August 13-17 in beautiful Pebble Beach, CA, just off historic 17-Mile Drive.
Write, learn, network and have fun in one of the most breathtaking spots on Earth that inspired Hitchcock, Steinbeck and so many other great artists.
Get 20% OFF until July 15 with coupon code SCFF814!
My buddy William Robert Rich (co-author of Story Maps: The Films of Christopher Nolan) over at Screenplay How To has put together a fantastic Story Map for Rian Johnson’s 2012 sci-fi action film Looper, starring Joseph Gordon-Levitt and Bruce Willis. It’s a great way to study the screenplay structure and screenwriting techniques used by Rian Johnson to create one of the most compelling Science Fiction features of the last decade. read more
Here is a fantastic roundtable interview via The Hollywood Reporter with some of the most influential TV creators out there.
- Aaron Sorkin, The Newsroom
- Nic Pizzolatto, True Detective
- Vince Gilligan, Breaking Bad
- Ann Biderman, Ray Donovan
- Matthew Weiner, Mad Men
- Carlton Cuse, Bates Motel
They cover a lot of topics, from casting movie stars to the anxiety and thrill of the writing process to dealing with social media and much more. read more
Noah Hawley is an experienced TV writer and producer (Bones) who has created multiple series in the past (The Unusuals, My Generation), but it wasn’t until this year’s Fargo that he created one that received a full season order. Fargo seems to belong to a trendy category of branded TV series that includes shows like Bates Motel and Hannibal, in that it is inspired by a famous film but not a straight adaptation. Fargo the TV series uses similar themes, settings, and dramatic situations as the Coen Brothers film of the same name, but it weaves an entirely new story and world.
Note: The interview below with Hawley contains several SPOILERS for the show up to and including episode #8.
In case you can’t get enough of superheroes at the multiplex this summer and you need to hear two geeks analyzing the crap out of comic book-inspired movies, my latest podcasts are here to help! And I’m now editing in video with some nifty still images to enhance the discussion. read more
It’s been quite a day for superhero news: we got a first look at Ben Affleck as Batman (pic above) from Zack Snyder and David Goyer’s upcoming “Batman vs. Superman” movie, the news broke about Channing Tatum starring as Gambit in an upcoming X-Men spinoff movie, and ABC announced another Marvel comics-inspired show, “Agent Carter,” will join its Marvel’s Agents of Shield in the 2014-2015 TV season.
Is it safe to say that superheroes are employing a lot of screenwriters? Sure looks like it. read more
“With great power comes great responsibility.”
Uncle Ben’s words have guided Peter Parker for decades, and they provide the thematic backbone of The Amazing Spider-Man and The Amazing Spider-Man 2, as well as the previous Sam Raimi-helmed Spider-Man trilogy. Uncle Ben’s wisdom and tragic death are an immutable part of Spider-Man’s origin, going back to the original comic book story created by Stan Lee and Steve Ditko in 1962. read more
Wolverine a.k.a. “Logan” has been the most popular superhero in the X-Men universe for decades, which is why the first major feature film in Fox’s X-Men franchise, X-MEN (2000), chose to foreground him as the central protagonist of the narrative, and he’s been featured in several more films, including two solo adventures, X-MEN ORIGINS: WOLVERINE (2009) and THE WOLVERINE (2013) (with a third on the way) and this summer’s upcoming epic, X-MEN: DAYS OF FUTURE PAST. The films have mined the core elements of his original character construction from the comic books, which focus on three key aspects of his personality and history. read more
I felt like Don Draper strolling into the iconic, tres-swanky Beverly Hilton to attend the HRTS (Hollywood Radio and Television Society) “Hitmakers Luncheon.” When I was politely informed that I was not on the list for the pre-lunch VIP reception, I felt like Dan Calvisi again. (You always have to try to sneak into the VIP section, people, it keeps them on their toes.) But the event began soon enough, and after a delicious lunch, I enjoyed listening to the panel of three of the most successful American TV producers working today, as they discussed their craft and business.
The panel consisted of Michelle Ashford ( creator and Executive Producer of “Masters of Sex” on Showtime), Carlton Cuse (co-creator, showrunner and E.P. of “Bates Motel” on A&E) and Jenji Kohan (creator and E.P. of “Orange is the New Black” on Netflix). Their past writing credits include John Adams, Boomtown, Lost, Nash Bridges, Weeds and Gilmore Girls. read more
FX’s new drama, Fargo, is created by Noah Hawley, inspired by the film written and directed by the Coen Brothers (also Executive Producers on the show). I sat in on a group interview with co-star Billy Bob Thornton, who plays the mysterious, charismatic and vicious drifter, Lorne Malvo, on the show. I did not get a chance to ask him a direct question, so here is the full transcript with questions from a group of reporters from various outlets.
Reporter Was there anything that you added to your character, “Lorne Malvo,” that wasn’t already scripted?
Billy Bob A weird haircut, which was actually a mistake. I got a bad haircut and we had planned on dyeing my hair and a dark beard and all that kind of thing, but I didn’t plan on having bangs. But then, instead of fixing it, it wouldn’t do, right, so I didn’t fix it because I looked at myself in the mirror and I thought, hang on a second here, this is like 1967 L.A. rock. I could be the bass player of the Buffalo Springfield. This is good. Or, Ken Burns, the dark side of Ken Burns. And bangs are normally associated with innocence and I thought that juxtaposition was pretty great, so that was added. read more
Graham Yost [cr: Reddit]
This is the third time I’ve had the pleasure to interview Graham Yost
, show runner, Executive Producer and Writer of Justified
, the fantastic drama on the FX network that, in my opinion, gets way too little recognition from the industry and the media, despite having a huge fan base. You can watch my video interviews with Mr. Yost here
. The season finale of Justified
airs in the U.S. tonight at 10:00 P.M. on FX. read more
[article first published in ScriptMag]
One of my favorite lines from THE AVENGERS occurs when Black Widow tells Captain America not to mess with Thor and Loki, saying “they’re basically gods.” With no hesitation, Cap replies, “There’s only one God, ma’am, and I’m pretty sure he doesn’t dress like that.” Then he jumps out of a plane. read more
David Goyer, screenwriter of Blade, Batman Begins, The Dark Knight, The Dark Knight Rises, Man of Steel, the hugely successful video game series Call of Duty: Black Ops and TV’s Davinci’s Demons, gave a fantastic lecture and interview for BAFTA.
He talks about how he broke in, the increasing importance of television in terms of craft and the corporate media landscape, changing the superhero movie genre, constructing the “Ten Commandments” of Batman and Superman, writing for games and juggling multiple scripts at once. Here’s the full lecture and interview… read more
Make way on the blogosphere for the next big movie star killing it on TV. Billy Bob Thornton will soon be seen in FX’s one-hour drama “Fargo,” which premieres in the U.S. on April 15, 2014, and trust me when I tell you that you will be talking about his character, Lorne Malvo, a drifter who arrives in Fargo, Minnesota and starts to take a keen interest in its quirky denizens. read more
My Oscar Screenplays webinar is back for 2014!
My next webinar with the Writers Store, STORY MAPPING OSCAR-WINNING SCREENPLAYS, will go live on Monday, February 24, 2014 at 1:00 p.m. Pacific / 4:00 p.m. Eastern and you can now purchase tickets at the Early Bird Price of $69.99USD. read more
Below are the nominations for the 2014 Oscars, which rewards the films of 2013.
Interesting batch this year. Some personal thoughts on the list:
- So glad Roger Deakins’ cinematography on Prisoners was nominated. Contemporary dramas and thrillers often get overlooked in this category, but his incredible lighting definitely stood out, even on the small screen I watched this great film on.
- No Visual Effects nom for Pacific Rim?!! Robbery, I say. This is probably a snub against a film that wasn’t considered a big hit at the box-office. When it comes to big ‘popcorn’ studio movies, a film often has to be a big hit to be acknowledged by the Academy.
- Nice to see four young newcomers get nominated for their song from Mandela: Long Walk to Freedom. I wish them the best. Who knows, maybe they’ll be the next U2 some day?
- Jonah Hill again? He doesn’t need any more help after the Moneyball nom.
- Meryl Streep again? Seriously, these “Academy darlings” take up spots that could be filled to recognize lesser-known actors that took on much more challenging roles this year.
- Why is Before Midnight considered an Adapted Screenplay? It must fall under some odd classification, but that still doesn’t mean it makes sense. I loved the film and think it deserves acknowledgment as a wholly original work. read more
I first met Bobby Moynihan at the Upright Citizens Brigade Theater in New York City in our “Improv 101” course. He was a bit younger than me, but it was clear that he had more experience with this improv stuff. He was definitely a standout. The class was a lot of fun and I would recommend UCB to anyone looking to learn the key principles of comedy from talented comedy pros, especially their sketch writing courses, which I’ve also taken and enjoyed.
I’ll always remember that first class because we had to perform our ‘graduation’ show on the UCB stage two days after September 11, 2001 when the city was still peppered in Missing Persons flyers and the smoke from the World Trade Center remains was still in the air. I showed up to the theater that day having come from volunteering on the docks helping to stock the boats that were supplying the recovery crews down at Ground Zero. I remember our teacher Jamie Denbo telling us how Amy Poehler had said 9/11 was like “the day the aliens landed.”
It was not a great time for comedy. read more
Story Maps: 12 Great Screenplays (a.k.a. “Booster Pack #1″) is now available in its revised version AND it now includes a BONUS 13TH MAP OF THE BRILLIANT THRILLER “SEVEN!”
The e-book breaks down 13 GREAT MOVIES, primarily from the past decade, into a detailed but easy-to-follow structural analysis known as the Story Map.