Jamie Nash is a working screenwriter who lives in Maryland and primarily writes genre films — horror, supernatural, fantasy, etc. He has a strong working relationship with Eduardo Sánchez, co-director of The Blair Witch Project — they have collaborated on a number of projects — the films Altered, Seventh Moon and Exists, and the comedy […]
Poop mouth Chris Parnell is a veteran comedic actor who honed his skills in The Groundlings and on Saturday Night Live, before moving to films like Anchorman and Hot Rod. Lately, he’s appeared in 21 Jump Street, The Five-Year Engagement and he’s a regular cast member on the sitcoms Suburgatory and Archer. Those two shows […]
In anticipation of The Dark Knight Rises opening in theaters on July 20, I’ve been analyzing Christopher Nolan’s films, especially the first two chapters in his Batman trilogy, Batman Begins and The Dark Knight. I’ve found myself buried so deep into Nolan’s complex story structures that it’s been impossible for me to watch the trailers […]
Anyone who knows me knows I’m a huge, huge, huge fan of Mad Men. After each episode, I comb the web for any and all Mad Men-related material, and since there’s many other nutjobs out there who are also mad for Mad Men, the blogosphere never disappoints. But most high-profile sites only feature one still […]
I’m almost done reading The Hunger Games trilogy of books on my trusty Kindle and I’m seeing the movie in a few hours (as it unleashes a Quarter Quell on the box-office in its opening weekend), so until I can offer an analysis of the screenplay or movie, I thought I’d share one of my […]
I came across this TED talk by writer/director Andrew Stanton, whose credits include Toy Story 1-3, Finding Nemo, Wall-E and the upcoming John Carter. He’s got some really interesting things to say about the emotional connection between screenwriter (storyteller) and audience (listener), touching on WHY we love a great story, what we expect and how […]
A few months back, I was preparing a proposal that listed the box-office performance of several films, including The King’s Speech. I knew that the film did quite well, but I was shocked to learn that it grossed a whopping $440 million worldwide! To put that into perspective, this quiet, character-driven period drama with stuffy […]
What’s in the box?! Seven, written by Andrew Kevin Walker and directed by David Fincher, is one of the great thrillers of the 1990s, a decade with several exceptional thrillers. Walker’s screenplay for Seven shot him to the Script Doctor A-list, establishing him as a hot writer of dark material on spec, like 1999’s 8mm, […]
The 2011 Black List is here! Congratulations to all of the writers who made the list. For those who don’t know, the Black List compiles the “most liked” unproduced (as of voting time) screenplays of the year, as voted on by studio, agency and production company executives in Hollywood. What began as an underground project […]
The major studios are once again posting their “For Consideration” screenplays online for Academy Award season. Some of these titles may become Oscar nominated screenplays, for Best Original Screenplay or Best Adapted Screenplay. So far, we’ve got free pdf script downloads from Universal, Fox Searchlight, Focus and Lionsgate.
This behind-the-scenes video on the set of The Hobbit in New Zealand is a must-see for 3D lovers and haters, alike. If you’re doubting the need for 3D (like Roger Ebert) or if you’re a Tolkien purist who thinks the two-part Hobbit saga is a calculated cash grab, I ask you to watch this video […]
It seems like I can’t turn around lately without seeing an article about how the spec screenplay market in Hollywood is at its highest level in 5 years! October 2011 saw 18 sales, [correction: 20 sales!] the biggest month for sales in years, including three from relative newcomers.
Gladiator (screenplay by David Franzoni and John Logan and William Nicholson; story by David Franzoni) is a true Hollywood epic that breathed new life into the swords-and-sandals genre, made Russel Crowe a star and gave director Ridley Scott another opportunity to make a brilliant, large scale Hollywood masterpiece. The film runs at just under 2.5 […]
Story Maps: How to Write a Screenplay has received another glowing review, from best-selling author Joan Reeves on her site, Slingwords.com. Here’s some excerpts from the review… “In truth, I found this book to be brilliant.” -Joan Reeves Keep reading, and, by the end of the book, it’s as if you absorbed the structure. There’s […]
I’m more interested in being a part of an entire piece that I think is brilliant, even if it’s a small part to play.
Dexter season six premieres on Sunday, October 2 on Showtime. Once again, we will get the opportunity to watch some strong dramatic writing at work. Dexter has always been a good example of the use of a dynamic character and the technique of dramatic inevitability. Both devices contribute to dramatic character and plot arcs over […]
Are you writing a “script” or a “screenplay?” Is there a difference between the terms script and screenplay? Screenplay vs. script. Which is it?
The Shawshank Redemption screenplay by Frank Darabont, based on the novella by Stephen King, is a powerful character-driven drama that covers many years in the lives of multiple characters, all tied together around the theme of “preserving hope in the most hopeless of situations.”
Story Maps: How to Write a Screenplay has received high marks from Script Magazine’s book reviewer, Heather Hale. Here’s some excerpts from the review… Calvisi uses both contemporary commercial blockbusters and critical successes as well as the old stalwart classics the average reader is sure to be familiar with as examples. This grounds and contemporizes […]
Dan’s 2-Minute Screenwriting School strikes again, this time with a short interview with actor Elijah Wood (the Lord of the Rings trilogy, The Ice Storm, Green Street Hooligans, Sin City, and the American version of the single-camera sitcom “Wilfred”). I’m equally attracted to just simply a great script and not necessarily great character. I asked […]