"What's an iPhone?"
It seems like I can’t turn around lately without seeing an article about how the spec screenplay market in Hollywood is at its highest level in 5 years!
October 2011 saw 18 sales, [correction: 20 sales!] the biggest month for sales in years, including three from relative newcomers. Read more
Gladiator (screenplay by David Franzoni and John Logan and William Nicholson; story by David Franzoni) is a true Hollywood epic that breathed new life into the swords-and-sandals genre, made Russel Crowe a star and gave director Ridley Scott another opportunity to make a brilliant, large scale Hollywood masterpiece.
The film runs at just under 2.5 hours but the story never slows, due to a rock-solid structure that’s focused on a hard-charging throughline and an ever-present controlling theme. Read more
Story Maps: How to Write a Screenplay has received another glowing review, from best-selling author Joan Reeves on her site, Slingwords.com. Here’s some excerpts from the review…
-Joan Reeves
Keep reading, and, by the end of the book, it’s as if you absorbed the structure. There’s a harmonic resonance between the story map structure and your writer’s consciousness.
Read more
I’m more interested in being a part of an entire piece that I think is brilliant, even if it’s a small part to play.
Dexter season six premieres on Sunday, October 2 on Showtime. Once again, we will get the opportunity to watch some strong dramatic writing at work. Dexter has always been a good example of the use of a dynamic character and the technique of dramatic inevitability. Both devices contribute to dramatic character and plot arcs over the course of a season. Read more
Are you writing a “script” or a “screenplay?” Is there a difference between the terms script and screenplay?
Screenplay vs. script. Which is it?
Exhibit A: “Script”
Exhibit B:”Screenplay”
The Shawshank Redemption screenplay by Frank Darabont, based on the novella by Stephen King, is a powerful character-driven drama that covers many years in the lives of multiple characters, all tied together around the theme of “preserving hope in the most hopeless of situations.”
Story Maps: How to Write a Screenplay has received high marks from Script Magazine’s book reviewer, Heather Hale. Here’s some excerpts from the review…
Calvisi uses both contemporary commercial blockbusters and critical successes as well as the old stalwart classics the average reader is sure to be familiar with as examples. This grounds and contemporizes the readers’ communal frame of reference. Read more
Dan’s 2-Minute Screenwriting School strikes again, this time with a short interview with actor Elijah Wood (the Lord of the Rings trilogy, The Ice Storm, Green Street Hooligans, Sin City, and the American version of the single-camera sitcom “Wilfred”).
I’m equally attracted to just simply a great script and not necessarily great character.
I asked Elijah the same question I’ve been asking of other actors/filmmakers, like Louis C.K., Vincent Kartheiser and Graham Yost, and his answer was quite intriguing… Read more
<–Back to Part I
What initially caught my eye about this page of text from Mario Puzo’s novel The Godfather, with hand-written notes by Francis Ford Coppola, was that this is the scene in The Godfather that I have mentioned for years to my students and clients and one that I highlight in my book, Story Maps: How to Write a GREAT Screenplay: Read more
The Godfather may be the most famous example of a great movie made from a poorly-written book. With the release of this page of text from Mario Puzo’s novel with hand-written notes by Francis Ford Coppola, we can see this claim in action! In other words, if you click on the image below and actually read the text, you can see how bad Puzo’s writing really was and breathe a sigh of relief that Coppola meticulously planned his translation to the screen.
Paul Brickman, writer/director of Risky Business, is one of those Hollywood enigmas. Risky Business was a very confident, stylish, well written and impressively directed film that performed well at the box-office. So why did Brickman go on to direct only one more film? (1990’s Men Don’t Leave with Jessica Lange) Read more
I recently looked at a couple Nineties films (Good Will Hunting and Saving Private Ryan) so I figured I’d hit the Eighties this week, when hair was big and love was real.
Two seminal films in the pantheon of cinematic history, Revenge of the Nerds and The Beastmaster, employ a scene archetype that we see in the climax of many a story — the beat that occurs when the friends that the hero made earlier in the movie, whom we’d forgotten about, return to help save the day, thus facilitating the hero’s triumph over evil. Sometimes, they are former enemies who have become allies out of respect for the protagonist’s actions since they first met. Read more
I’ve been using Robert Rodat’s Saving Private Ryan screenplay for years as a case study for my writers and I cite it a number of times in my book Story Maps: How to Write a GREAT Screenplay. The structure is rock-solid, the story is active and Rodat’s voice on the page is commanding. Here’s one of my favorite introductions of a Protagonist… Read more
James Cameron’s script for Avatar was the template for an epic. At 162 minutes, the Avatar movie is a LONG epic, but here’s the deal:
Jake Sully meets his avatar eight minutes into the movie.
That’s page 8 in a script that uses proper screenplay format, and it’s prime real-estate for that Inciting Incident to really suck in the reader. Read more
One can’t think “action movie” without thinking Die Hard. I remember watching the epic commercials for the film during the 1988 Academy Awards, wherein they promised the movie would be the first in decades to be presented in full 70mm wide-screen, and feature 6-track Dolby Surround Sound (yes, SIX tracks!). But that wasn’t all. What really mattered was the tagline: “It will blow you through the back wall of the theater!” Read more
Good Will Hunting is one of the finest screenplays of the 90s (a very strong decade in film) and it’s a great study in character and plot dynamics. There’s a new Good Will Hunting Story Map pdf online now that you should check out.
My talented student and friend, Robert Rich, has put together a fantastic site that showcases detailed analyses of popular films using my Story Maps method of narrative deconstruction. His latest analysis is of the Good Will Hunting script. The post begins by giving the history of the screenplay. Read more
Dearest screenwriter,
They can stop me, but they will never stop my Flip Cam.
I’ve once again turned my tiny (yet 1080p!) lens on an unsuspecting batch of celebrities and asked them what they want to see in a screenplay. Here’s another clip from my video interview of the cast of the sitcom “It’s Always Sunny in Philadelphia.” Read more
I’m really liking this viral campaign for the upcoming series on FX, “American Horror Story,” which is created by Ryan Murphy and Brad Galchuk of Nip/Tuck and Glee Fame.
I know what you’re thinking: Wait, the guys from Glee are doing an edgy, creepy horror genre show? Can the guys from Glee actually SCARE us? Read more