Don’t suck…Suck in the Reader!
I worked for years as a professional Story Analyst, or “Reader” for major movie companies in New York City, reading and evaluating incoming screenplays and books for executives and producers who developed films like Chicago, Scream, The Game, The Faculty, Volcano, Beloved, Ulee’s Gold, and Chocolat. Their production slates ran the gamut of genres and so did the material that I was handed.
And I realized that the common wisdom about your Act One being “Setup”…is crap.