Limitless screenplay
Here’s my short, exclusive Q&A with Leslie Dixon, screenwriter of Limitless, The Thomas Crown Affair, Mrs. Doubtfire, Hairspray, Freaky Friday, The Heartbreak Kid and the upcoming Tower Heist. Read more
Here’s my short, exclusive Q&A with Leslie Dixon, screenwriter of Limitless, The Thomas Crown Affair, Mrs. Doubtfire, Hairspray, Freaky Friday, The Heartbreak Kid and the upcoming Tower Heist. Read more
This exciting new screenwriting book is available now…
This book is the culmination of over twenty years of working with screenplays and screenwriters. Reading, analyzing, evaluating, studying, teaching and coaching. Read more
The script.
I finally read it over the weekend (At the Mountains of Madness screenplay written by Guillermo Del Toro & Matthew Robbins) and I can see why Universal just couldn’t summon the confidence to put it into production with a $150 million pricetag.
There’s no theme. There’s no character development. The plot is repetitive and gets quite boring. The “method of defeat” is a silly construct that’s straight out of Shyamalan’s Signs. We don’t invest emotionally in the protagonist. Read more
There’s a lot of buzz going around about increased spec script sales in 2011. Scott Myers of “Into the Story” has a post today about how 6 scripts have sold in just the past week, putting the pace for sold scripts in 2011 higher than 2008-2010. Myers says… Read more
Here is a compilation of questions I was asked by screenwriters on varying topics a few years back and my advice still holds firm — some helpful screenwriting tips that I’ve learned over the years and I hope this information can help you…
Questions Below (links removed):
hi Dan,
What is the criteria for judging scripts in script contests? If you don’t place in one does that mean odds are you won’t place in another? Is it possible for a good script to not place simply because it wasn’t what they were looking for?
I entered my script into the San Diego Script Competition and found out yesterday I wasn’t even a finalist. I was pretty disappointed and it got me thinking that my script isn’t as good as I thought. I am still waiting to hear from another contest but, I can’t get it out of my head that it is hopeless…
I won’t ever give up and have already begun redrafting, but man did that hurt. Can you offer some insight into to how the whole script contest thing works?
Thank you from a newbie!
J.
As my friends at Inktip prepare the next Inktip Pitch and Networking Summit (July 22-23 at the Marriott Burbank Airport), I came across these amazing pitches from last summer that were entered into a contest sponsored by American Express and the Tribeca Film Festival.
They have both achieved viral fame and it’s easy to see why.
The first is a frightening tale of the apocalypse that plays on a universal human experience…
The second, perhaps more inspired, is “a Greek-like tragedy” in the words of the wunderkind narrator…
With that shown, I encourage you to work on some REAL pitches for upcoming opportunities like the Inktip summit, which is the only “pitchfest” event that I’ve ever worked with and I had a blast. I’ll be telling you more about it in the coming weeks.
Until then, I’ll be here waiting patiently for the day that Gesundheit and Mr. Stache make it to the big screen! And they say no one comes up with great movie ideas any more…
-Dan
The boys (a.k.a. “The Wolfpack”) are back! Read more
Here are the nomations for the 83rd Academy Awards, to be broadcast live on February 27, 2011. Read more
Here’s the complete list because I’m the only source for this information… Read more
You want to avoid any material that only exists to establish, to set up, to explain, and to transition into another scene. Avoid the static “Talking Heads” scenes and the characters telling us directly about themselves.
Most of all… SHOW CHARACTER THROUGH ACTION! Read more
A “set piece” is a clever, memorable sequence that captures the style and theme of a movie, often utilizing the central conflict of the story. If done well, it’s a “trailer moment,” as it would most certainly make it into the previews.
Think of it in terms of a pitch. When the other party hears you describe the scene, you want them to say “Cool!” Read more
Act Three in your screenplay — the final act — is the race to the finish line. It’s a fast-paced, high stakes push toward the climax, which ideally should be a direct confrontation between your Protagonist and your Antagonist. Read more
The Meet The Parents screenplay is a classic example of a well-executed, high concept comedy that uses every dramatic element and beat of the Story Maps method of screenwriting.
Well, except one. Read more
The massive hit comedy The Hangover employs a brilliant HOOK in its concept that distinguishes the LOGLINE, which is one of the main dramatic elements in the Basic Story Map.
The Hangover was sold on a pitch (there’s actually some controversy over who exactly came up with the idea) and although it’s not my favorite comedy of recent years, I can see how its unique variation on a classic comedy premise sold it to a major studio.
We’ve seen the bachelor party comedy before and the Las Vegas comedy before and the “group of friends bonding and solving their own personal issues through a road trip” comedy before, but we hadn’t seen this hook… Read more
Billy Wilder’s classic film Sunset Boulevard is a perfect example of the Story Maps method of screenwriting.
One of the main dramatic elements in the Story Map is the Central Dramatic Question — this forms the spine of the story that keeps the audience waiting for the answer to the meta-mystery of the narrative.
Sunset Boulevard opens with one of the most striking images in film history.
Which screenwriting software do you use to format your screenplay? There’s more options than ever out there. This article in Variety (squint!) talks about the two majors, Final Draft and Movie Magic Screenwriter, as well as the young upstarts like Scripped.com and ScriptWrite, which exist on “the cloud” (the hot phrase right now). Read more
Continued from Page One: Screenwriting Resolutions: Craft Goals
If you aspire to get paid for your writing, you will need to balance your craft development with marketing efforts. We writers are often most comfortable alone in front of our laptops, so it’s tough to put ourselves and our work out there. But you have to do it. There’s no way around it. Read more
It’s that time of year again and we’re all making our New Year’s Resolutions.
Or are you avoiding them, like me? (In my defense, I’m just now finishing up a writing assignment and I wanted to maintain my focus on that, so suck on that, haters.)
Ahem. So…let’s give each other a kick in the pants, shall we? Here’s some advice, take it or leave it… Read more
I’ve been following this film for years, ever since I covered the source book on the job for Miramax Films and they optioned it. I’ve been in touch with Writer/Producer Leslie Dixon as the project went from turnaround into production, as you can read here , so it’s safe to say I’ve been waiting for years to see this footage. Read more
It was a bygone era known as the late 90s. I stepped out of the elevator on the 7th floor of the Tribeca Film Center into the lobby of Miramax Films and saw the above poster, beautifully framed, for an upcoming movie named Shakespeare in Love. Read more