I recently looked at a couple Nineties films (Good Will Hunting and Saving Private Ryan) so I figured I’d hit the Eighties this week, when hair was big and love was real. Two seminal films in the pantheon of cinematic history, Revenge of the Nerds and The Beastmaster, employ a scene archetype that we see […]
I’ve been using Robert Rodat’s Saving Private Ryan screenplay for years as a case study for my writers and I cite it a number of times in my book Story Maps: How to Write a GREAT Screenplay. The structure is rock-solid, the story is active and Rodat’s voice on the page is commanding. Here’s one […]
James Cameron’s script for Avatar was the template for an epic. At 162 minutes, the Avatar movie is a LONG epic, but here’s the deal: Jake Sully meets his avatar eight minutes into the movie. That’s page 8 in a script that uses proper screenplay format, and it’s prime real-estate for that Inciting Incident to […]
One can’t think “action movie” without thinking Die Hard. I remember watching the epic commercials for the film during the 1988 Academy Awards, wherein they promised the movie would be the first in decades to be presented in full 70mm wide-screen, and feature 6-track Dolby Surround Sound (yes, SIX tracks!). But that wasn’t all. What […]
Good Will Hunting is one of the finest screenplays of the 90s (a very strong decade in film) and it’s a great study in character and plot dynamics. There’s a new Good Will Hunting Story Map pdf online now that you should check out. My talented student and friend, Robert Rich, has put together a […]
Your main character has to really WANT SOMETHING.
Dearest screenwriter, They can stop me, but they will never stop my Flip Cam. I’ve once again turned my tiny (yet 1080p!) lens on an unsuspecting batch of celebrities and asked them what they want to see in a screenplay. Here’s another clip from my video interview of the cast of the sitcom “It’s Always […]
I’m really liking this viral campaign for the upcoming series on FX, “American Horror Story,” which is created by Ryan Murphy and Brad Galchuk of Nip/Tuck and Glee Fame. I know what you’re thinking: Wait, the guys from Glee are doing an edgy, creepy horror genre show? Can the guys from Glee actually SCARE us?
A clunky first draft is a million times more valuable than a perfect 10 pages or only 3/4 of a script that that never gets finished. Robert Ben Garant and Thomas Lennon are a very successful screenwriting team whose films have grossed $1.4 billion worldwide (with the Night at the Museum franchise, their creation, being […]
Excerpt from Story Maps: How to Write a GREAT Screenplay, Chapter 12: Scene Work: “One could say that a screenplay is merely Setups and Payoffs, nothing more; I wouldn’t disagree. Often the strongest payoffs come in the third act and are set up in the first act. A payoff is always best when WE get […]
I can’t call upon the writing the same as the other jobs…The writing has the most pressure, it’s the toughest but it’s also the most rewarding when it works out.
I recently found the deleted opening scene from Bryan Singer’s Superman Returns, which is rumored to have cost $10 million (huh?) and was meant to show where Superman went and thus where he’s returning from (thus the title), so I was psyched to view it since I’ve always felt that this unanswered question in the […]
Like Hannibal in The A-Team, I love it when a plan comes together, but especially when it happens in a screenplay in the form of a terrific, unforeseen Payoff to an earlier Setup. If you can call back to an earlier scene and reward me for remembering it, then surprise me with a clever way […]
Calling all screenwriters, I’m launching a contest in which you can win a free copy of my e-book, Story Maps: How to Write a GREAT Screenplay, and the first place winner gets the book as well as a free E-Book Consultation, which is a $49.95 value. It’s FREE to enter and each entrant will receive […]
Dear screenwriters, I’m getting lots of positive reviews from my readers on the e-book and the booster pack and I’d like to share some of them with you. “I vowed I’d never look at another story map/plot plan/paradigm etc. again because they seem to throw me in a different direction each time I read one. […]
The Emmy Nominations are in. Major categories listed below; for the full list, see The Hollywood Reporter. Writing noms are at bottom, highlighted in blue. There’s some great choices this year. I’m most excited about these noms…
Dan’s 2-Minute Screenwriting School brings you Part 2 of this panel of top script doctors, including Oscar winners Diablo Cody (Juno) and Dustin Lance Black (Milk, Big Love) as well as Josh Olson (A History of Violence) and Emmy-winning writing team Christopher Markus & Stephen McFeely (Captain America, Chronicles of Narnia, The Life and Death […]
Dan’s 2-Minute Screenwriting School brings you Part 2 of this expert panel of top screenwriters including Oscar winners Diablo Cody (Juno) and Dustin Lance Black (Milk, Big Love) as well as Josh Olson (A History of Violence) and Emmy-winning writing team Christopher Markus & Stephen McFeely (Captain America, Chronicles of Narnia, The Life and Death […]
I had the opportunity to visit the set of one of my favorite shows on television: the sitcom “It’s Always Sunny in Philadelphia” which shoots on the Fox lot. A group of us observed the shooting of a very funny scene in Paddy’s pub (I wish I could tell you the premise, but I can’t […]
Dan’s 2-Minute Screenwriting School is back in action with an expert panel of top screenwriters including Dustin Lance Black (Milk, Big Love), Josh Olson (A History of Violence), Christopher Markus & Stephen McFeely (Captain America, Chronicles of Narnia) and Diablo Cody (Juno). These professional script doctors discuss the importance of writing multiple projects at once.