Literary Manager Lee Stobby now added as a Master Class advisor!

Dear writers,

The Story Maps Master Class has always featured the exclusive benefit of giving writers feedback on their loglines from industry professionals like development executives, sold screenwriters and major agency professionals. My goal from the start has been to get my writers read, repped and sold, and I’ve always promised them that if they complete their script and get it to a submission-ready level, I will pass it on to my contacts in the industry. I can’t guarantee success or even that a script will be accepted to be read by my contacts, because it’s always contingent first on their interest in the logline and genre, but I can assure you that I will never stop advocating for my writers. Read more

TRILOGY BUILDING Part III: The Star Wars and Halo Sagas

You will be...you will be.

The trilogy (of articles) is complete!

Here’s the third part of our analysis of the story structure behind great Science Fiction and Fantasy sagas, using the original Star Wars Trilogy and the Halo Trilogy as focus points. I’d like to thank James Robert Martin for his fantastic work on these essays, and I invite you to revisit Part I and Part II and to post a comment below.

TRILOGY BUILDING PART III: The Saga

by James Robert Martin Read more

Boot Camp Contest! Win a Free Spot in my “Story Map Your Feature Film” boot camp!

THIS CONTEST IS NOW CLOSED.

Here’s your last chance to win one of TWO FREE SEATS in this weekend’s  “Story Map Your Feature Film” boot camp with Screenwriters University. This is a $199 value!

Be one of the first two people to email me [dan at actfourscreenplays.com]  the answers to the following trivia questions: Read more

STORY MAP YOUR FEATURE FILM Boot Camp @ Screenwriters University

Dear writers,
I’m teaching a weekend “Boot Camp” online workshop on November 15-17th, 2013, with Screenwriters University. This weekend seminar will give you a great crash-course in my Story Mapping method and a critique of your own story map plus a bonus webinar on mapping Oscar screenplays. The price is $199 and it includes an exclusive webinar lecture, a worksheet, a private 3 hour message board forums Q&A session and my notes on your work. Go HERE to sign up.

DESCRIPTION:

What do 95% of great movies have in common? They all follow the STORY MAP. Read more

Beat Sheets and Act Structure for Television Drama

 

As the tales of Don Draper, Walter White and Dexter Morgan come to an end and screenwriters everywhere struggle to create the next great TV protagonist, I have only one question.

Where are all of the “beat sheets” and structure “paradigms” for television drama? Read more

Webinar Special Offers

Thank you for attending one of my webinars or classes. Enjoy these special offers and free downloads…

Netflix Webinar: Links to download the worksheet and Story Maps were sent out to all who enrolled in the live broadcast and to those who purchase the webinar on-demand. If you enrolled in the live webinar but have not yet received your extras, please forward your receipt for the course (email confirmation from Infostack or Paypal) to me at dan [at] actfourscreenplays [dot] com with “webinar” in the subject line and I will reply with links to download them.

SPECIAL OFFER ON MY E-BOOKS

Purchase all three feature film STORY MAPS E-BOOKS in the highest quality PDF format for the (already discounted) price of two (savings of $11.94):

  • Story Maps: How to Write a GREAT Screenplay
  • Story Maps: 12 Great Screenplays (with bonus map of “Seven!”)
  • Story Maps: The Films of Christopher Nolan

Exclusive free TV Pilot Story Map Worksheet in Microsoft Word format included with purchase of PDF version of Story Maps: TV DRAMA: The Structure of the One-Hour Television Pilot.

Learn more about my Story Maps e-books.

 

FREE STORY MAP DOWNLOADS

DISCOUNTS ON MY SCRIPT SERVICES AND THE MASTER CLASS

I am happy to extend discounts to webinar attendees on my Full Screenplay ConsultationGroup or Private Story Maps Master Class, schedule permitting. Please contact me to inquire.

More webinars for you to enjoy.

Good Luck and Happy Writing,

Dan Calvisi

P.S. If you purchased the option for a critique or a bonus extra you did not receive, please send an email to dan @ actfourscreenplays dot com with the subject line “Webinar.”

Webinar Contest! Win a free seat in “Inside the TV Drama: Writing the Best Shows on Television”

CONTEST IS NOW CLOSED — THANK YOU FOR ENTERING AND CONGRATS TO THE WINNERS!

THE WEBINAR IS STILL AVAILABLE FOR PURCHASE FOR LIVE LISTENING AT 1:00 PM PST ON WEDNESDAY, SEPT 11, 2013 OR STREAMING LATER: HERE

Read more

Interview with Elmore Leonard and Graham Yost, Master Screenwriters (2010)

Justified on FX official poster one-sheet

“Justified” created by Graham Yost and Elmore Leonard

Raylan has his dark side… But the guy is a hero. I thought, ‘Man, it would be fun to do a show which has a true-blue hero.’

Justified is based on the Elmore Leonard short story “Fire in the Hole” (read it here) which provides the story for the pilot episode, in which U.S. Deputy Marshall Raylan Givens returns to his hometown of Harlan, Kentucky, to track his old coal-mining buddy Boyd Crowder, an ex-con now leading a Neo-Nazi terrorist group, after Boyd blows up a black church with an RPG. Raylan meets Boyd at the home of Boyd’s sister-in-law Ava Crowder; [SPOILERS AHEAD] firearms are brandished and Boyd comes out on the wrong end of Raylan’s six-shooter. Boyd dies at the end of the Leonard story, but not in the Justified pilot. Which means veteran actor Walton Goggins will continue to appear (fun link: Walton Goggins’ blog from India in 2009).

Graham Yost is the series creator/Executive Producer of Justified and a veteran writer/director in film and television with an impressive list of credits that includes Band of Brothers, Boomtown, Raines and The Pacific and the feature films Speed, Broken Arrow and Mission to Mars. He won an Emmy for his work on the mini-series From the Earth to the Moon.

Elmore Leonard is an Executive Producer of Justified and the legendary novelist and short story writer whose works have spawned several feature films, including Out of Sight, Get Shorty, Jackie Brown, Stick, Mr. Majestyk and 3:10 to Yuma. He was born in New Orleans, Louisiana but has lived in Michigan since 1934. He is also well-known for his “10 Rules of Writing.” Read more

Back to the Future screenplay analysis and podcast now available

Back to the Future (1985)

One of the greatest spec screenplays of all time and a timeless piece of entertainment that plays with pop culture in brilliant ways, Back to the Future, written by Bob Gale and Robert Zemeckis and directed by Zemeckis, is the topic of our latest Story Maps Screenwriting Podcast. Wes Alwan of The Partially Examined Life joins me and William Robert Rich for this discussion of the history, screenplay and philosophy behind the film, and, yes, the incest issue. Read more

Protected: Exclusive Lead: Call for Scripts from UTA-repped Directors

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Apply Now for the next Story Maps Master Class!

Story Maps Master Class: Write, Rewrite, Submit!

The Story Maps Master Class is for serious screenwriters who are willing to dedicate themselves to writing a winning screenplay for the current spec script market in Hollywood.

July 2013 UPDATE: The current Group Master Class is now full, but I encourage you to contact me to get on the wait list for the next group class or I can check my schedule for a private coaching slot. My newsletter subscribers receive discounts on master classes, so sign up if you haven’t already. See the Master Class page for more information and how to apply. Read more

Interview with Diane Kruger of “The Bridge” new TV series on FX

Diane Kruger talks about her new series The Bridge, which is based on the Danish/Swedish television series of the same name. (Be aware that there are SPOILERS BELOW in regards to Diane Kruger’s character and some general information about the series.)

Both shows launch with the same brilliant high concept — a body is found cleaved in half, one half placed on one side of the border and one on the other — this forces police from opposite sides to team up to solve the murder. In the original, it was the border between Denmark and Sweden. In the new American series, it is the border between El Paso, Texas and Juarez, Mexico, and Diane Kruger’s counterpart is played by Oscar-nominee Demián Bichir. Read more

My Lady Cop Can Beat Up Your Man Cop

Kickin’ it Old School with C & L

We’ve seen a fantastic wave of female protagonists on television in recent years, and many of them carry a badge. The viewing public can’t seem to get enough of cop shows, so you can’t go wrong in writing your next pilot in this genre. And why not build your crime procedural around a tough woman with (or, more interestingly, without) a gun? Read more

Writing a TV Pilot (Nurse Jackie) guest blog from Sandra Leviton & Miranda Sajdak

In my ongoing commitment to bring you guys more information on writing for television, I’m happy to host this guest blog from industry veterans Sandra Leviton (FX, Paradigm, Under The Stairs Entertainment) & Miranda Sajdak (Practical Pictures, ABC Family, Adult Swim) and the new Script Chix Pilot Launch Contest

 

When writing any television pilot, it’s important to pay close attention to format, structure, pacing, and character. Without full development of these vital components, even the best of ideas can easily fall apart. To examine some of these elements, we are breaking down the pilot episode of Nurse Jackie, Showtime’s popular series starring Edie Falco. The pilot is written by Liz Brixius & Linda Wallem and Evan Dunsky. Read more

Man of Steel Story Map Screenplay Analysis and Podcast

Man of Steel (2013)

This is the most detailed structural analysis of the blockbuster Man of Steel you will find anywhere. With Story Maps Screenwriting Podcast Episode VIII: Man of Steel, we wrap up our analyses of Christopher Nolan’s biggest films (here, Nolan acts as producer with co-story credit) with Man of Steel, written by David S. Goyer and directed by Zack Snyder. You can follow along with our Man of Steel Podcast with the Full Story Map for Man of Steel.

Listen now to our Man of Steel Podcast: [audio:http://traffic.libsyn.com/storymapspodcast/Man_of_Steel_Story_Maps_Screenwriting_Podcast.mp3]

Download the exclusive MAN OF STEEL Story Map
from Amazon:

For more exclusive PDF downloads, special offers and leads from producers looking for scripts, subscribe to the Story Maps Newsletter for Serious Screenwriters. (I don’t send out newsletters very often and I will never share your email with any other source.)

Listen on iTunes

Good Luck and Happy Writing,

Dan Calvisi

Related: For more analysis of Christopher Nolan’s films, read our book, Story Maps: The Films of Christopher Nolan, on Amazon or click below for the highest-resolution PDF version:
“…as much as an analysis of Nolan the filmmaker as it is an analysis of story structure within his films.”
-Script Magazine

Memento Podcast now streaming

Christopher Nolan’s film noir masterpiece Memento gets the Story Maps treatment when screenwriter Christine Conradt joins us for this two-hour dissection of one of the most complex thrillers of all time. Just when we think we have it figured out, another piece of evidence pops up to complicate the case of Leonard Shelby. Read more

Summer Blockbusters that broke the rules (District 9, Ted, The Hobbit)

The summer movie season is known for convention — sequels, remakes, broad comedies, CGI spectacles; rinse and repeat. But the films that really stand out and distinguish themselves creatively are those that break with commercial movie conventions in major ways, beginning with the script. Here’s three examples from recent years…

 

Read more

Arrested Development, Netflix and Nolan walk into a bar named VOD for some binge-viewing and we all win

Arrested Development Season Four debuted over the weekend on Netflix, and, although we won’t see any kind of traditional ratings from Netflix, I can safely observe that it’s been a huge trending topic online and in traditional media. I was never a big fan of the show, but I watched the first three new episodes to see what all the fuss was about, and my opinion didn’t change. I admire the effort, but I just don’t find it very funny. The choppy structure and the omni-present narration become grating after a few minutes and I find myself itching to watch a complete scene. “Let a scene play out!” and “Shut up, Opie Cunningham!” may have been heard in my living room as I tried to keep up with what felt like a non-stop highlights reel. Maybe it’s just not my style of comedy; I happen to love Happy Endings, a sitcom that has now been canceled because I was apparently the only one who bothered watching it. Comedy is subjective, we know this. So I was planning to toss AD in the “Don’t Watch” bin with The Big Bang Theory.

But then I heard from a number of sources that the season really finds its groove around episode five or episode seven, depending on the source. In other words, the intricate story and character beats start to come together, pay off and the arc of the season is revealed — but you have to hang in there to really get it. In fact, the creators may have designed it this way intentionally, knowing that the Netflix platform allows for unlimited repeat viewings. Read more

TRILOGY BUILDING PART II: The Characters and Worlds of Star Wars and Halo

 

James Robert Martin returns for the second part in his guest blog series about the structure of a trilogy, using my Story Maps method to break down the Halo game universe and the classic Star Wars trilogy. [Part I here] Read more

Donate to the American Heart Association & Get Your Script Read by Daniel Vang of Benderspink

Our buddy Rob Rich over at Screenplay How To has an interview with screenwriter Joe Nienalt, who started up a program with his manager Daniel Vang of the venerable BenderSpink company to fight heart disease by giving free reads to any writer who makes a charity donation. Read more